You’re looking to elevate your phone’s video capabilities, and anamorphic lenses offer that cinematic edge you’ve been considering. Whether you’re shooting at 1.33x or 1.55x magnification, you’ll unleash signature flares and widescreen framing that transform ordinary footage. But with options ranging from GoPro mods to smartphone-specific rigs, choosing the right lens depends on factors you might not have considered. The differences matter more than you’d think.
| 1.33X Anamorphic Lens for Smartphone Filmmaking | ![]() | Best Overall | Anamorphic Compression Ratio: 1.33x | Cinematic Aspect Ratio: 2.4:1 | Anamorphic Flare Color: Classic/bright (enhanced coating) | CHECK ON AMAZON | Read Our Analysis |
| Freewell Neutral Streak 1.33x Anamorphic Lens | ![]() | Best Value | Anamorphic Compression Ratio: 1.33x | Cinematic Aspect Ratio: 2.4:1 | Anamorphic Flare Color: Natural horizontal streaks | CHECK ON AMAZON | Read Our Analysis |
| NEEWER 1.55X Blue Flare Anamorphic Phone Camera Lens | ![]() | Best For Professionals | Anamorphic Compression Ratio: 1.55x | Cinematic Aspect Ratio: 2.4:1 | Anamorphic Flare Color: Blue streak glare | CHECK ON AMAZON | Read Our Analysis |
| SmallRig 1.55XT Anamorphic Lens for iPhone Samsung | ![]() | Most Versatile | Anamorphic Compression Ratio: 1.55x | Cinematic Aspect Ratio: 2.76:1 | Anamorphic Flare Color: Blue anamorphic flare | CHECK ON AMAZON | Read Our Analysis |
| SIRUI VD-01 Anamorphic Lens 1.33x for Smartphones Cinema Lens | ![]() | Best Optical Quality | Anamorphic Compression Ratio: 1.33x | Cinematic Aspect Ratio: 2.4:1 | Anamorphic Flare Color: Impressive light flares (unspecified color) | CHECK ON AMAZON | Read Our Analysis |
| SMALLRIG 1.33X Anamorphic Lens for Mobile Phone | ![]() | Best Build Quality | Anamorphic Compression Ratio: 1.33x | Cinematic Aspect Ratio: 2.4:1 | Anamorphic Flare Color: Blue anamorphic flare | CHECK ON AMAZON | Read Our Analysis |
| NEEWER 1.55x Blue Anamorphic Lens for iPhone & Android | ![]() | Best Budget Pick | Anamorphic Compression Ratio: 1.55x | Cinematic Aspect Ratio: 2.4:1 | Anamorphic Flare Color: Blue streak glare | CHECK ON AMAZON | Read Our Analysis |
| 1.33X Anamorphic Lens for Android Filmmaking | ![]() | Best For Beginners | Anamorphic Compression Ratio: 1.33x | Cinematic Aspect Ratio: Widescreen deformation | Anamorphic Flare Color: Not specified | CHECK ON AMAZON | Read Our Analysis |
| GoPro Anamorphic Lens Mod for HERO13 Black | ![]() | Best For Action | Anamorphic Compression Ratio: 21:9 ultra wide-angle | Cinematic Aspect Ratio: 21:9 | Anamorphic Flare Color: Horizontal lens flares | CHECK ON AMAZON | Read Our Analysis |
| Freewell 1.55x Anamorphic Lens for iPhone & Samsung | ![]() | Most Creative Options | Anamorphic Compression Ratio: 1.55x | Cinematic Aspect Ratio: 2.76:1 | Anamorphic Flare Color: Neutral, gold, or blue (interchangeable) | CHECK ON AMAZON | Read Our Analysis |
More Details on Our Top Picks
1.33X Anamorphic Lens for Smartphone Filmmaking
If you’re seeking that signature cinematic look with horizontal flares and a dramatic 2.4:1 widescreen format, the 1.33X anamorphic lens is your answer. This compact attachment works seamlessly with most iPhone models and Android devices, transforming your smartphone into a professional filmmaking tool. You’ll need to remove your phone case for mounting, but the payoff’s worth it—you’ll capture vibrant colors and stunning light artifacts that rival Hollywood productions. The special lens coating enhances classic anamorphic flares brilliantly. Remember, you’ll require Filmic Pro or Fotogear App to de-squeeze your footage and achieve that coveted cinematic quality. This lens delivers the dramatic, polished look professional filmmakers demand.
- Anamorphic Compression Ratio:1.33x
- Cinematic Aspect Ratio:2.4:1
- Anamorphic Flare Color:Classic/bright (enhanced coating)
- Mount Type:Clip mount (universal)
- Compatible Filming Apps:Filmic Pro, Fotogear
- Device Compatibility:iPhone 14 Pro Max/Mini, 13, XS Max/XS/XR, 8P, 7P, 7, 6P, 6S; Android
- Additional Feature:Special lens coating enhances flares
- Additional Feature:Requires phone case removal
- Additional Feature:Produces vibrant colors/reduced light
Freewell Neutral Streak 1.33x Anamorphic Lens
The Freewell Neutral Streak 1.33x Anamorphic Lens is your go-to choice when you’re serious about capturing authentic cinematic video on your smartphone. You’ll twist it effortlessly onto your 17mm threaded mount for a stable, precise fit. Its true 1.33x anamorphic design delivers that classic widescreen cinematic look you’re after, and you can desqueeze footage using software like Blackmagic Camera for professional results. You’ll appreciate the natural horizontal light streaks from streetlights and headlights that enhance your footage’s cinematic feel without color distortion. Thanks to superior optical materials, you’ll get excellent clarity, color accuracy, and contrast. The lens works broadly across iPhone, Samsung, and other compatible smartphones.
- Anamorphic Compression Ratio:1.33x
- Cinematic Aspect Ratio:2.4:1
- Anamorphic Flare Color:Natural horizontal streaks
- Mount Type:17mm threaded mount
- Compatible Filming Apps:Blackmagic Camera
- Device Compatibility:iPhone, Samsung, other 17mm threaded mount smartphones
- Additional Feature:17mm threaded mount installation
- Additional Feature:Natural horizontal light streaks
- Additional Feature:High-quality optical materials
NEEWER 1.55X Blue Flare Anamorphic Phone Camera Lens
Smartphone videographers and content creators seeking that authentic cinematic look will find the NEEWER 1.55X Blue Flare Anamorphic Phone Camera Lens delivers exactly what you need: a 1.55x compression ratio that expands your field of view by 110% while producing a 2.4:1 aspect ratio alongside signature blue streak flares characteristic of classic film production. The lens accommodates iPhones 12–17 and Galaxy S22–S25 Ultra via its adjustable 17mm threaded clip. Its multicoated HD optical glass construction resists water and fingerprints, while lightweight aluminum alloy housing keeps handheld work manageable. You’ll appreciate compatibility with professional apps like Blackmagic and Filmic Pro, plus integration with rolling shutter correction tools in Adobe’s suite.
- Anamorphic Compression Ratio:1.55x
- Cinematic Aspect Ratio:2.4:1
- Anamorphic Flare Color:Blue streak glare
- Mount Type:17mm threaded lens clip
- Compatible Filming Apps:Blackmagic Camera, Filmic Pro
- Device Compatibility:iPhone 17, 16, 15 Pro Max/Plus, 14, 13, 12; Samsung Galaxy S25 Ultra, S24, S23, S22
- Additional Feature:Multicoated HD optical glass
- Additional Feature:Adjustable 1.1/28mm jaw opening
- Additional Feature:Includes protective cleaning cloth
SmallRig 1.55XT Anamorphic Lens for iPhone Samsung
For filmmakers seeking an ultra-wide cinematic look on their phones, SmallRig’s 1.55XT delivers a 2.76:1 aspect ratio that’ll give you 55% more horizontal frame width than standard 16:9—and you won’t need to crop to get it. The lens features a precise magnetic alignment system and works with SmallRig’s 15 Pro phone cages via T-mount. You’ll need the separate T-Series Lens Back Mount Plate 4399 to get started. Its aluminum build keeps things lightweight for on-the-go shooting, while blue anamorphic flares add cinematic flair. Compatible with 67mm filters and apps like Filmic Pro, it’s versatile enough for serious mobile cinematography—just note potential vignetting on certain flagship models.
- Anamorphic Compression Ratio:1.55x
- Cinematic Aspect Ratio:2.76:1
- Anamorphic Flare Color:Blue anamorphic flare
- Mount Type:T-mount
- Compatible Filming Apps:Blackmagic Cam, Fotorgear, Filmic Pro
- Device Compatibility:iPhone 15, 14, 13, 12, 11; Samsung S21, S22; Huawei Mate 40–60; Xiaomi 12–13
- Additional Feature:Precise 4-point magnetic alignment
- Additional Feature:Compatible with 67mm threaded filters
- Additional Feature:Slight vignetting on flagship models
SIRUI VD-01 Anamorphic Lens 1.33x for Smartphones Cinema Lens
If you’re serious about creating cinematic mobile content with professional-grade aesthetics, SIRUI’s VD-01 delivers the optical quality you’re seeking. This 1.33x anamorphic attachment lens features German Schott glass with multi-coated optics that produce stunning light flares and distinctive bokeh. You’ll achieve 2.4:1 cinema formatting for authentic widescreen filmmaking. The lightweight aluminum construction withstands demanding conditions between -20°C and +50°C. Its 500 LP/mm center resolution guarantees sharp imagery, while the included smartphone clip and hard case provide practical protection. You’ll need the SIRUI app, though pairing it with Filmic Pro elevates your creative control further.
- Anamorphic Compression Ratio:1.33x
- Cinematic Aspect Ratio:2.4:1
- Anamorphic Flare Color:Impressive light flares (unspecified color)
- Mount Type:Smartphone clip mount
- Compatible Filming Apps:SIRUI Lens app, Filmic Pro
- Device Compatibility:Most smartphones via SIRUI clip mount
- Additional Feature:German Schott glass construction
- Additional Feature:Unique bokeh with light flares
- Additional Feature:Includes hard carrying case
SMALLRIG 1.33X Anamorphic Lens for Mobile Phone
The SMALLRIG 1.33X Anamorphic Lens is your gateway to cinematic mobile video without cropping your frame. You’ll capture 33% more horizontal width than standard 16:9, revealing that distinctive 2.4:1 ultra-wide aspect ratio. The aluminum alloy body features precise magnetic alignment adjustable every 90°, letting you switch between horizontal and vertical orientations effortlessly. You’ll need the T-Series Back Mount Plate 4399 and a compatible SmallRig phone cage for attachment. The lens produces that signature blue anamorphic flare under strong light, enhancing cinematic appeal. It’s lightweight and portable—perfect for stabilizer work—while supporting 67mm threaded filters for creative control.
- Anamorphic Compression Ratio:1.33x
- Cinematic Aspect Ratio:2.4:1
- Anamorphic Flare Color:Blue anamorphic flare
- Mount Type:T-mount
- Compatible Filming Apps:Blackmagic Cam, Fotorgear, Filmic Pro
- Device Compatibility:iPhone 12–15; Samsung S21–S22; Huawei Mate 40–60; Xiaomi 12–13
- Additional Feature:Modular design with magnetic alignment
- Additional Feature:Compatible with 67mm threaded filters
- Additional Feature:Adjustable 90° orientation capability
NEEWER 1.55x Blue Anamorphic Lens for iPhone & Android
Content creators who want cinematic visuals without expensive camera gear will appreciate what the NEEWER 1.55x Blue Anamorphic Lens delivers. This 1.55x compression lens gives you a 110% wider field of view and produces that sought-after 2.4:1 cinematic aspect ratio with distinctive blue streak glare. The universal clip fits iPhones and Android devices, while the 58mm filter adapter accepts standard ND, CPL, and UV filters. You’ll get sharp, clear images from multicoated HD optical glass housed in a durable black anodized aluminum case. For stabilization, pair it with a tripod, gimbal, or phone cage to minimize rolling shutter issues and guarantee professional-quality footage.
- Anamorphic Compression Ratio:1.55x
- Cinematic Aspect Ratio:2.4:1
- Anamorphic Flare Color:Blue streak glare
- Mount Type:17mm threaded clip
- Compatible Filming Apps:Blackmagic Camera, Fotorgear, Filmic Pro
- Device Compatibility:iPhone 17 Pro Max, 16, 16e, 15, 14, 13; Samsung S25 Ultra; Huawei phones
- Additional Feature:58mm filter adapter ring
- Additional Feature:Multicoated HD optical glass
- Additional Feature:Black anodized aluminum alloy case
1.33X Anamorphic Lens for Android Filmmaking
Android filmmakers seeking cinematic wide-screen effects will find anamorphic lenses essential for professional-quality video production. The 1.33X anamorphic lens delivers exceptional results through its optical glass and aluminum alloy construction, which minimizes wear and scratches while correcting spherical errors and chromatic aberration. You’ll achieve high-definition video with vibrant colors and sharp clarity. The lens’s 1.33 times magnification widens your screen view, maximizing your visual scope during filming. Installation’s straightforward—simply attach it to your phone’s lens and adjust the angle without disassembly. This universal optical solution works across various Android smartphones, making it accessible for any filmmaker. At just 2.89 ounces, it’s portable and practical.
- Anamorphic Compression Ratio:1.33x
- Cinematic Aspect Ratio:Widescreen deformation
- Anamorphic Flare Color:Not specified
- Mount Type:Clip mount (universal)
- Compatible Filming Apps:Not specified
- Device Compatibility:Various smartphones including iOS/Android
- Additional Feature:Corrects spherical/chromatic aberration
- Additional Feature:Easy angle adjustment installation
- Additional Feature:Optical glass aluminum construction
GoPro Anamorphic Lens Mod for HERO13 Black
For filmmakers seeking cinematic ultra-wide footage without post-production de-squeezing, GoPro’s Anamorphic Lens Mod delivers immediate creative gratification. You’ll capture stunning 21:9 aspect ratio footage that’s ideal for static shots and stabilized gimbal work. The mod’s optical design produces horizontal lens flares and minimizes distortion and corner aberrations, elevating your footage’s professional aesthetic. What sets this accessory apart is its in-camera de-squeezing feature—you’ll view properly formatted anamorphic footage immediately after capture, eliminating tedious editing steps. Paired with HyperSmooth stabilization and mechanical gimbal support, you’re equipped for low-vibration activities. The package includes protective caps and a microfiber cloth, ensuring your investment stays pristine.
- Anamorphic Compression Ratio:21:9 ultra wide-angle
- Cinematic Aspect Ratio:21:9
- Anamorphic Flare Color:Horizontal lens flares
- Mount Type:Direct GoPro HERO13 Black mount
- Compatible Filming Apps:In-camera de-squeezing (GoPro)
- Device Compatibility:GoPro HERO13 Black only
- Additional Feature:In-camera de-squeezing capability
- Additional Feature:Reduced distortion/corner aberrations
- Additional Feature:HyperSmooth stabilization supported
Freewell 1.55x Anamorphic Lens for iPhone & Samsung
The Freewell 1.55x anamorphic lens stands out if you’re seeking a compact way to achieve true cinematic visuals on your smartphone. You’ll capture a stunning 2.76:1 aspect ratio with distinctive oval bokeh that elevates your footage’s production value. The interchangeable flare modules—neutral, gold, and blue—let you customize dynamic effects for different scenes. You mount it easily onto compatible 17mm systems and thread it onto your camera at 1x settings. With a 58mm filter thread, you’re free to attach any standard filter for creative experimentation. Desqueezing through Blackmagic Camera app keeps your aspect ratio consistent during editing, streamlining your post-production workflow substantially.
- Anamorphic Compression Ratio:1.55x
- Cinematic Aspect Ratio:2.76:1
- Anamorphic Flare Color:Neutral, gold, or blue (interchangeable)
- Mount Type:17mm mount (Freewell case/cage)
- Compatible Filming Apps:Blackmagic Camera app
- Device Compatibility:iPhone & Samsung with 17mm mount systems
- Additional Feature:3-in-1 interchangeable flare modules
- Additional Feature:58mm filter thread compatibility
- Additional Feature:Oval bokeh cinematic effect
Factors to Consider When Choosing Anamorphic Lenses for Cinematic Widescreen Phone Video
When you’re choosing an anamorphic lens for your phone, you’ll need to evaluate the compression ratio, aspect ratio, and whether it’s compatible with your specific device and mounting system. You should also examine the optical quality, lens coatings, and whether your filming app supports de-squeezing to properly display the anamorphic footage. Finally, consider the build materials and durability, since you’re investing in gear that’ll travel with your phone and handle regular use.
Compression Ratio And Aspect Ratio
How do you decide between a 1.33x and 1.55x anamorphic lens when both can deliver that coveted 2.4:1 cinematic aspect ratio? The key difference lies in horizontal coverage and optical characteristics. A 1.33x lens captures a wider field of view before compression, while a 1.55x squeezes the image more aggressively. Both de-squeeze to 2.4:1 in post-production, but they’ll produce different flare patterns and horizontal framing.
If you want ultra-wide outputs like 2.76:1 or 21:9-like compositions, you’ll need dedicated anamorphic systems that push beyond standard 2.4:1. Consider your creative vision: do you prefer traditional cinematic framing, or does your project demand that extra-immersive ultra-wide aesthetic?
Device Compatibility And Mounting
You’ll encounter three primary mounting systems when selecting anamorphic phone lenses: 17mm threaded mounts, universal clips, and T-mount designs. The 17mm threaded option attaches directly to cases or rigs, offering broad compatibility across devices. Universal clip-based adapters work with numerous phone models without requiring dedicated cases, providing flexibility if you switch devices frequently. T-mount systems demand a corresponding back plate or cage for secure attachment.
Before purchasing, verify your phone’s camera placement and consider whether you’ll need to remove thick cases. Some flagship models experience vignetting or focus issues due to edge-mounted cameras. Slim mounts ensure proper clearance and alignment, preventing optical complications that compromise your footage quality.
Optical Quality And Coatings
Once you’ve secured the right mounting system for your device, the optical quality of your lens becomes the determining factor in cinematic image quality. Multi-coated HD optical glass reduces reflections and enhances clarity, while premium glass elements minimize aberrations from center to edges. You’ll notice sharper details, improved color accuracy, and better contrast throughout your footage.
Protective coatings are equally essential. They resist water, fingerprints, and scratches, preserving image quality during challenging shoots. Anti-reflection technology delivers faithful color rendition and cleaner highlights, particularly in high-contrast scenes where inferior coatings would fail.
When evaluating anamorphic lenses, prioritize multi-group designs with extensive coating systems. These engineering choices directly translate to the cinematic quality you’re seeking in your phone videos.
App Requirements And De-Squeezing
What happens after you’ve mounted your anamorphic lens and pressed record? You’ll capture squeezed 1.33x footage that requires de-squeezing to achieve the desired 2.4:1 cinematic aspect ratio.
You’ve got two main paths forward: in-camera or post-production. In-camera de-squeezing apps output finished desqueezed video immediately, streamlining your workflow. Alternatively, you can de-squeeze later using editing software that supports anamorphic correction.
Before choosing an app, verify it explicitly handles 1.33x de-squeezing and supports your device’s format. Not all apps automatically de-squeeze, and incompatibility can derail your project. Prioritize apps that preserve the lens’s distinctive flares and color rendering—these characteristics define anamorphic aesthetics.
Consider your entire workflow when selecting lenses and apps. Some kits depend entirely on post-production de-squeezing, making software compatibility essential to your creative process.
Build Materials And Durability
Beyond selecting the right app for de-squeezing, you’ll want to make sure your anamorphic lens can withstand the rigors of mobile filmmaking. Look for lenses built with aircraft-grade aluminum shells and anodized finishes that provide strength without adding unnecessary weight. Durable coatings protect against water damage, fingerprints, and scratches—essential when you’re shooting on location. Multi-coated optical glass housed in rugged metal bodies guarantees your lens survives frequent handling and orientation changes. Modular construction with magnetic alignment maintains structural integrity during dynamic mobile use. Finally, verify that filter threads and mounting systems feature sturdy metal components capable of supporting accessories without deformation or wear over time.
Frequently Asked Questions
Do Anamorphic Phone Lenses Work With Phone Cases or Screen Protectors?
You’ll need to remove your phone case and screen protector before using anamorphic lenses. They’ll block the lens’s optical path and distort the image quality you’re trying to achieve with your cinematic video.
What’s the Difference Between 1.33x and 1.55x Anamorphic Lens Magnification Ratios?
You’ll get wider letterboxing with 1.33x, creating a subtly cinematic look. The 1.55x ratio stretches your image more dramatically, producing that pronounced anamorphic aesthetic with taller black bars and greater visual distortion.
Can Anamorphic Lenses Damage Smartphone Camera Sensors or Coating Over Time?
You won’t damage your smartphone’s camera sensor or coating with quality anamorphic lenses. They’re externally mounted, so they don’t contact internal components. You should clean lens contacts regularly to prevent debris buildup though.
How Do Anamorphic Lenses Affect Autofocus Performance and Video Stabilization on Phones?
You’ll experience slower autofocus speeds and reduced tracking accuracy when you attach anamorphic lenses to your phone. Video stabilization becomes less effective because the lens’s weight and optical characteristics interfere with your phone’s gyroscopic stabilization systems.
Are Anamorphic Phone Lenses Compatible With Existing Phone Tripod Mounts and Adapters?
You’ll find that most anamorphic phone lenses aren’t compatible with standard tripod mounts. You’ll need specialized adapters or lens-specific mounting systems. Some manufacturers offer universal clamps, though you should verify compatibility with your particular lens model first.














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